
STERIANI TSINTZILONI
Assistant Professor
Dance: History, Theory, Practice
A graduate of the Greek National School of Dance and holder of a degree from the Department of Primary Education of the University of Crete, she holds an MA in Dance Studies from the University of Surrey (UK), awarded with a scholarship from the Onassis Foundation, as well as a PhD from the Department of Dance at the University of Roehampton (UK).
In 2015–16 she worked as Lecturer in Modern Greek Language at the School of Humanities and Social Sciences (Sciences humaines et sociales) of the University of Lille (formerly Lille 3). From 2018 to 2020, as an affiliated member of the research centre CECILLE (Centre d'Études en Civilisations, Langues et Lettres Étrangères) at the University of Lille, she carried out research within the thematic framework: “Espaces autres, partages sensibles, sociétés spectaculaires”.
She has taught at undergraduate level (NKUA, University of Patras) and postgraduate level (Hellenic Open University, Democritus University of Thrace), as well as at the Professional Dance School of the Greek National Opera and the Greek National School of Dance. She participates as principal researcher in the interdisciplinary and collaborative research project “Thymele”: A Dynamic Open-Access Multimedia Dictionary for the Performing Arts (HFRI, Implementing Institution: Department of Theatre Studies, University of the Peloponnese, Scientific Coordinator: Elena Papalexiou).
Her research, teaching, and writing focus primarily on the history of theatrical dance in Greece (20th–21st century), issues of archive and memory in dance, the conjunction of theory and practice, and contemporary artistic practices.
As a dance theorist, she served as Dance Curator of the Athens and Epidaurus Festival (2016–2019), invited co-curator of the Onassis Stegi Young Choreographers Festival (2021), and programming and research associate of the Kalamata International Dance Festival (1998–2015). She was a member of the Dance Evaluation Committee of the Stavros Niarchos Foundation Artist Support Programme ARTWORKS (2021), and Vice-President of the Dance Grants Committee of the Ministry of Culture (2022–2024).
In 2020–2021 she was awarded a Fellowship through the Visiting Artists Program of the Harvard University Center for Hellenic Studies (CHS Washington). She was also nominated for the British Council Study UK Alumni Awards (2024), in the category “Culture and Creativity”.
Her monograph Under the Shadow of the Parthenon: Dance at the Athens Festival during the Cold War (1955–1966), published by Kapa Publishing (2022), was shortlisted for the 2023 State Literary Awards in the essay category. As scholarly editor, she contributed to the publication of the first collection of translated texts on dance theory, entitled Bodies Present: An Introduction to Dance Theory (2024, University Studio Press), published with the financial support of the Ioannis F. Kostopoulos Foundation. Her writings have appeared in national and international academic journals, collective volumes, conference proceedings, and dictionaries.
Research Interests
- Contemporary artistic practices in dance
- Cultural policy and dance institutions
- Contemporary dramaturgy
- Festivals and programming in the performing arts
- Curating and theory of contemporary dance
- Interdisciplinary approaches to the performing arts
Participation in Programmes
- Participation in research programmes/projects: Research project “Thymele: An Open-access Dynamic Multimedia Dictionary of the Performing Arts”, Hellenic Foundation for Research and Innovation (HFRI). Department of Theatre Studies – School of Fine Arts – University of the Peloponnese, NCSR “DEMOKRITOS”, Academy of Athens. Scientific Coordinator: Elena Papalexiou
Publications (selected)
- Mega, Menti (translation, introduction), Tsintziloni, Steriani (scholarly editor). (2024) Bodies Present: An Introduction to Dance Theory. Thessaloniki: University Studio Press
- Tsintziloni, Steriani & Margareta Sörenson (Guest editors) (2024) “Special issue: Dance Between Now-ness and Future”, Critical Stages/Scènes critiques – The IATC journal, June 2024, issue 29, https://www.critical-stages.org/29/
- Tsintziloni, S. (ed.) (2023) Dance and Movement in the Contemporary Training of Actors, Athens: National Theatre of Greece Publications
- Tsintziloni, Steriani & Panagiotara, Betina (2021) “Dancing bodies and fragments of history: the cenotaph of choreography”, in Maratos, Andreas (ed.), 1821–2021. Memories of the Arts – Fragments of History, Athens: Nissos Publications / Nikos Poulantzas Institute, pp. 461–472
- Tsintziloni, S. (2021) “Dimitris Papaioannou”, in Jo Butterworth (ed.), Fifty Contemporary Choreographers (3rd edition), foreword by Deborah Jowitt, London & New York: Routledge, pp. 200–206.
Books / Monographs
- Translation, Title, Publisher, Year.
Current Topics
- Topic 1 — short description.
- Topic 2 — short description.
Conferences / Talks
- 2025 International Conference, Dance Studies Association - George Washington University, “Indeterminate States: Bodies, Fields, Praxis”. Organized by: Dance Studies Association & George Washington University. Paper: “Exercises in quitting and dancing”, 25–29 June 2025.
- 11th Annual Conference of the School of Performing Arts, University of Malta, “Participation, Engagement and Creativity in the Performing Arts”. Organized by: University of Malta, School of Performing Arts. Paper: “Inviting the Audience to Dance Events Beyond Dancing”, 5–7 March 2025.
Undergraduate Courses
- History and Theory of Dance
- Contemporary Choreographic Approaches
- Dance and movement in education: practical applications
- Text, movement and dance
- New spatial forms of theatre and expanded scenography, co-taught with M. Konomi
