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Department of Theatre Studies

ARCHIVE OF RESEARCH PROGRAMS

Research

Archive of Research Projects

This page presents selected completed research projects associated with the Department of Theatre Studies of the National and Kapodistrian University of Athens. The archive reflects the Department’s research activity across theatre history, bibliography, performance documentation, archival studies, cultural heritage, and interdisciplinary humanities research.

The projects listed below were developed within European, national, and university-funded frameworks and document important contributions to the study, preservation, and interpretation of theatre and culture in Greece and beyond.

ARCH

Archival Research and Cultural Heritage: The Theatre Archive of Socìetas Raffaello Sanzio

The ARCH project focused on the study, documentation, digitisation, and dissemination of the archive of the internationally acclaimed Italian theatre company Socìetas Raffaello Sanzio. Hosted by the National and Kapodistrian University of Athens, the project brought together academic staff, researchers, graduate and undergraduate students, as well as specialists in archival studies, informatics, communication, visual design, and audio-visual media.

The project examined primary archival material related to the company’s artistic activity, including manuscripts, programmes, posters, notebooks, correspondence, photographs, sound recordings, and video material. Its purpose was both scholarly and documentary: to support research in theatre genetics and cultural documentation, while contributing to the preservation and wider accessibility of a major European theatre archive.

Funding FrameworkARISTEIA II, co-funded by the European Social Fund and national resources through the Operational Programme “Education and Lifelong Learning” (NSRF 2007–2013)
Academic SupervisorProfessor Anna Tabaki
The archive is based in Cesena, Italy, at the Comandini Theatre, and contains rare documentation tracing the company’s work from the 1980s onward, including theoretical texts, manifestos, performance material, correspondence, photographs, sound, and video.

Chrysallis

Cultural Transfer and “National Character” in Nineteenth-Century Greek Periodicals

This research project examined the role of nineteenth-century Greek periodicals in the formation of cultural identity, literary discourse, and national self-definition. It explored the ideological, aesthetic, and cultural debates reflected in the periodical press of the time, with particular emphasis on literary production, theatre reception, and cross-cultural transfer.

The project investigated how concepts such as national literature, otherness, imported literary models, language debates, and the revival of ancient traditions were negotiated through the periodical press. It approached nineteenth-century print culture as a privileged field for understanding how modern Greek identity and cultural discourse were shaped.

Project Duration1 February 2012 – 30 November 2015
Research CoordinatorProfessor Anna Tabaki

Research Group I

Cultural interchanges: literary genres, aesthetic and ideological trends.

Research Group II

The reception of theatre genres: authors, ideological and aesthetic currents, drama theory, poetic theatre, prose theatre, and music theatre.

Research Group III

Cross-cultural relations and transfers: national literature between the foreign and the local.

The project brought together scholars from the Department of Theatre Studies and other Greek universities, alongside scientific collaborators and postgraduate researchers, in order to build a substantial research base for the study of nineteenth-century Greek periodical culture.

PYTHAGORAS I

Research Project on Greek Theatrical Bibliography

This project aimed at the tracing, registration, and evaluation of scientific sources, books, studies, articles, and doctoral theses written in Greek and related to modern Greek and world theatre, with particular relevance to Greek theatre scholarship. It also examined foreign-language bibliography on Greek theatre studies.

The resulting database adopted the ISO 690 international bibliographical standard and was developed in Microsoft Access. It included extensive classification fields and led to a substantial bibliographic research tool for undergraduates, postgraduates, doctoral students, theatre scholars, and researchers of modern Greek studies.

Scientific CoordinatorWalter Puchner, Professor
Scientific CommitteeChrysothemis Stamatopoulou-Vasilakou, Associate Professor · George P. Pefanis, Lecturer
According to the project description, the database ultimately included more than 11,000 entries, making it a major bibliographic resource for Greek theatre studies.

PYTHAGORAS I

Performance Records and Documentation of Ancient Greek Drama in Greece – Digitization of Relevant Audio-Visual Data

This project aimed to create a database of Ancient Greek drama performances according to scientifically approved documentation and computerisation standards for the registration, collection, and preservation of relevant audio-visual material.

Its objectives included the design of the database, digitisation of performance-related material, the completion and verification of the existing archive, and the preparation of performance records for future publication. The project was promoted by the Ancient Drama and Theatre Research Laboratory (ADTRL) of the Department of Theatre Studies.

Scientific CoordinatorPlaton Mavromoustakos, Professor
Main OutcomeExpansion, verification, and digitisation of the Archive of Ancient Drama Performances
The project also sought to deepen public understanding of Ancient Greek drama and to demonstrate its lasting significance for modern Europe through better documentation and electronic dissemination.

PYTHAGORAS II

“Semele” Ancient Theatre Database

“Semele” was developed as a systematic database and information-management environment for ancient theatre, covering archaeology, literature, and bibliography. It approached ancient theatre as architectural heritage, theatrical practice, literary production, and cultural activity across the wider Greek-speaking world.

The project organised and archived data according to specifically designed standards and thematic axes, including architectural monuments, painted monuments, and sculpture monuments. Its central database and management application were designed to support structured input, image documentation, source indexing, bibliography, and multi-criteria research.

Scientific CoordinatorSavvas Gogos, Professor
FrameworkResearch programme Pythagoras II, co-financed by the European Social Fund and national resources

KAPODISTRIAS

Research Projects Funded by the University of Athens Research Committee

The following projects were supported within the KAPODISTRIAS funding framework and reflect the breadth of the Department’s research interests, including theatre history, bibliography, dramaturgy, translation, archival studies, and modern Greek literary and cultural history.

  • 1993–1995
    “San Giakomo’s Theatre and Theatrical Activity in Corfu”
    Scientific Coordinator: Platon Mavromoustakos
  • 1995–1997
    “Belgian Theatre: 1880–1960”
    Scientific Coordinator: Chara Bakonicola-Georgopoulou
  • 1995–1997
    “Greek Bibliography of One-Act Plays of the 19th Century”
    Scientific Coordinator: Chrysothemis Stamatopoulou-Vasilakou
  • 1997
    “Edition of the Post-Byzantine Archive Collection in the Patmos Monastery Library”
    Scientific Coordinator: Chrysa Maltezou
  • 1997–1998
    “Retrieving Andreas Kalvos’s Latent Texts”
    Scientific Coordinator: Nasos Vagenas
  • 1997–1998
    “Greek Bibliography of One-Act Plays of the 20th Century”
    Scientific Coordinator: Chrysothemis Stamatopoulou-Vasilakou
  • 1997–1999
    “Greek Bibliography of the Central Historical Building of the University of Athens: 1839–1864”
    Scientific Coordinator: Eleni Fessa-Emmanouil
  • 1997–1999
    “Greek Bibliography of Two Historical Buildings of the University of Athens: the University Club (architect: Alex. Nikoloudis, 1926) and the Medical School Building Complex in Goudi (architect: Emm. Kriezis, 1929–1934)”
    Scientific Coordinator: Eleni Fessa-Emmanouil
  • 1999–2000
    “Bibliography of the Buildings of the University of Athens in the Zografou University Campus”
    Scientific Coordinator: Eleni Fessa-Emmanouil
  • 1999–2000
    “The Greek Theatre in Asia Minor until 1922, with Special Emphasis on Smyrna”
    Scientific Coordinator: Chrysothemis Stamatopoulou-Vasilakou
  • 2000–2001
    “Greek Ballad before Vizyinos”
    Scientific Coordinator: Nasos Vagenas
  • 2002–2004
    “Handwritten Translations of Enlightenment and Cultural Renewal”
    Scientific Coordinator: Anna Tabaki
  • 2003–2007
    “Greek Bibliography of Acting and Actors”
    Scientific Coordinator: Agni Mouzenidou
  • 2004–2005
    “Handwritten Theatre Satire during the Enlightenment: Tracing the Sources”
    Scientific Coordinator: Anna Tabaki
  • 2005–2006
    “Revue during the Dictatorship (1967–1974)”
    Scientific Coordinator: Kostantza Georgakaki
  • 2005–2006
    “Greek Bibliography of Theatrical Plays: 1900–1940”
    Scientific Coordinator: Chrysothemis Stamatopoulou-Vasilakou
  • 2006–2007
    “Don Quixote in Modern Greek Cultural Life: First Reception. Study and Edition of the First Known Greek Translation of the Work of Cervantes (Third Decade of the 18th Century)”
    Scientific Coordinator: Anna Tabaki
  • 2006–2008
    “The Prose Theatre during the Dictatorship (1967–1974)”
    Scientific Coordinator: Kostantza Georgakaki
  • 2007–2009
    “Greek Actors and Their Activities as Writers”
    Scientific Coordinator: Chrysothemis Stamatopoulou-Vasilakou
  • 2009–2010
    “European Playwrights’ Writings on Theory”
    Scientific Coordinator: Sofia Felopoulou
  • 2009–2010
    “Transformations of Ancient Greek Drama in Ancient-Themed Modern Greek Drama, 1974–2010”
    Scientific Coordinator: Kaiti Diamantakou
  • 2009–2010
    “Foreign Theatre Companies in Greece (1950–2000)”
    Scientific Coordinator: Kostantza Georgakaki
  • 2009–2010
    “Issues of Memory and Gender in Contemporary Greek Dramaturgy”
    Scientific Coordinator: George Pefanis